AN INTERVIEW WITH
LEON KOZICKI
FOUNDER, ADVISOR, HALL OF FAMER,
PAST PRESIDENT
AND CHAIRMAN OF THE POLKA HALL OF FAME
IPA INTERVIEW — MAY, 2011
by Christy Krawisz, Editor of the IPA
Newsletter
Reprinted from the IPA Newsletter with the Editor's Permission
IPA: Please tell me about your
family.
Leon: My parents were born in
the United States, father of Polish and mother of German ancestry. I
was born in Chicago on July 4. I have a sister, Rita, who is four
years younger. My father was a businessman and was a self-taught
piano and accordion player who enjoyed polka music. My wife
Virginia, who died in 1981, was a trombone player and my sister
played clarinet.
IPA: What made you decide to
start up the International Polka Association?
Leon: For the polka to be
recognized as a part of the music industry by bringing the isolated
segments of polka enthusiasts together as one large group at the
national level. To have a formidable central association serving as
a meaningful voice in the promotion, advancement and promulgation of
polka music. And to seek the expanded attention of the national news
media. To encourage more dances, festivals, distribution of polka
recordings, radio-TV programs, news publications, etc.
IPA: How did you decide who the
Trustees of the Polka Music Hall of Fame would be?
Leon: This is decided by the
recommendation of their peers for considerable experience and
knowledge of many aspects of polka music, professional honesty and a
willingness to perform the duties.
IPA: What was your most
memorable IPA Convention and why?
Leon: It was the first IPA convention —
festival presented at the Red Carpet Hotel and Convention Center in
Milwaukee because of the challenge it presented being at a new venue
away from the Chicago area. It attracted several thousand fans and
was awesome.
IPA: What was the most memorable
IPA Polka Music Hall of Fame ceremony and why?
Leon: It was the very first Hall
of Fame induction of Li'l Wally and Frankie Yankovic, attended by
many dignitaries, and was the beginning of a 42-year history of the
Polka Music Hall of Fame. The 1977 ceremony was also memorable
because it was the year of my own induction along with the great
musician Joe Lazarz of Massachusetts.
IPA: What age did you start
playing instruments and what were they?
Leon: I started playing an
accordion presented to me by my father. However, I had a health
issue and the doctor recommended that I learn to play a wind
instrument to strengthen my lungs. I started clarinet lessons at age
7 while attending SS. Peter & Paul School in Chicago. Later I
learned the saxophone and trumpet.
IPA: Did you ever take lessons
from anyone?
Leon: I took lessons from music
teacher Paul Zmycinski (Zim), received advanced instruction from
John Sovinec, and was tutored by Angelo De Caprio.
IPA: What made you decide to
play polkas?
Leon: Originally played pop and polka
music, but soon concentrated on polka music because of the personal
enjoyment and pleasure derived from playing for polka audiences at
weddings, picnics, dances, lounges and festivals. I wanted to be
part of our ethnic music, culture and heritage.
IPA: Who did or do you admire
musically?
Leon: In pop music I admired
Benny Goodman, Glenn Miller and Stan Kenton. My polka favorites
consist of Li'l Wally, Frankie Yankovic, Connecticut Twins, Eddie
Blazonczyk, Sr., Steve Adamczyk and the Polka Dot Five.
IPA: If you could go back in
time, what would you change?
Leon: Through the years I did
what I could with limited finances, available resources and
assistance under existing circumstances. A more determined effort to
acquire a better working relationship with all segments — Polish,
Slovenian, German, Czech, Eastern, Push, Honky, etc., styles could
be pursued. I personally have enjoyed a rewarding life with many
accomplishments and achievements. I have no need to go back in time.
IPA: How do you think we can
keep the music we all love so much going for years to come?
Leon: This is a difficult task
because of many obstacles. A dynamic public relations effort should
be implemented with a more improved working relationship between
everyone — eliminate the petty animosity and grievances that has
stifled the progress of polka music. Perhaps the use of the computer
and internet may create new opportunities to attract new groups of
people. An effort must be made to enter the schools to reach young
people through special promotions, youth polka dances, etc.
IPA: If you were asked the
question "Why should I join the IPA? What is in it for members?" how
would you answer them?
Leon: To join together for a
common cause supporting the polka. It employs many musicians (43
years at the annual festival), dances and other functions. Through
the IPA radio program it has kept the public informed of upcoming
polka events (even those of other associations). You receive the
bimonthly membership newsletter. It presents annual polka music
awards and maintains the IPA Polka Music Hall of Fame and Museum. It
has significantly enhanced and defended the polka from unjust
criticism by misinformed or uninformed sources. The IPA offers
reduced admission prices and presents a complimentary Christmas
party for members. It plays a significant role in preserving
traditional polka music for future generations.
IPA: How do you think we can get
more people interested in being a member of the IPA?
Leon: Among various items it
requires the use of personal contact by officers and members in
recruiting friends, relatives, neighbors, business and work
associates. Improved public relations and more publicity is worthy
of consideration with special promotions.
The IPA has done a remarkable job in
preserving the national concept of polka music and elevating its
image from merely lounges, local halls and picnics in the forest
preserves to new venues as ballrooms, major hotels, cruise ships,
country clubs, etc. If associations (as IPA) are to function they
must have the support of the public if the polka is to be preserved
for future generations. Polka columnist Steve Litwin recently
indicated that the public must make a more concentrated effort in
supporting the bands, attending events, purchasing records, etc., to
assure the future of polka music. I AGREE!
IPA: Thank you so much Leon for
taking the time to answer all of my questions.