IPA
HISTORY
HOW THE
INTERNATIONAL POLKA ASSOCIATION BEGAN
The concept of a national polka convention had been developed and
pioneered originally in Chicago. From the popular yearly moonlight
dances starting in 1960, which attracted thousands of polka lovers
from all sections of the United States and Canada -- the first polka
convention emerged in 1963. This developed into the International
Polka Convention which was presented each succeeding year in
Chicago, Detroit and Buffalo, New York.
In January, 1968 a steering committee comprised of Johnny Hyzny,
Leon Kozicki, Joe and Jean Salomon, Eddie Blazonczyk and Don
Jodlowski met to discuss plans for the next convention. After a
series of meetings they began preparations for the formation of the
International Polka Association. The Association was officially
chartered by the State of Illinois as a "not for profit" corporation
and was registered with the County of Cook (Chicago) in August of
1968.
Since 1968 the International Polka Festival has been presented
under the auspices of the International Polka Association. The
delegates to the 1968 Convention approved the establishment of the
Polka Music Hall of Fame and the presentation of annual Polka Music
Awards.
As
stated in its charter, the International Polka Association was
organized as: "An educational and charitable organization for the
preservation, promulgation and advancement of polka music
and; to promote, maintain and advance public interest in polka
entertainment; to advance the mutual interests and encourage greater
cooperation among its members who are engaged in polka
entertainment; and to encourage and pursue the study of polka music,
dancing and traditional folklore."
The International Polka Association presents many special awards
each year to encourage the promotion of polka music. Through the
efforts of the IPA, the month of January has been proclaimed as
National Polka Music Month and the annual festival has served as a
show place for new, deserving polka talent. Many functions under the
auspices of the IPA are presented in various states, a weekly radio
program has been established and a monthly news bulletin keeps the
members informed of the business affairs of the Association, as well
as polka related events and news from across the country.
The International Polka Association is also responsible for the
continued operation and growth of the Polka Music Hall of Fame and
Museum. It is through this branch that the Association has
been able to continue its historical, educational and research goals
on behalf of the polka music industry.
POLKA MUSIC HALL OF
FAME
For too long of a time those of us who enjoy polka music had
neglected to bestow proper honor and recognition to performers,
deejays, and others who have rendered years of faithful service to
the polka entertainment industry. Through the years there was
considerable discussion and research among our polka leaders to
formulate an institution that would honor deserving polka
personalities. Although there always was complete agreement as to
the purpose and objectives of such an institution, there also
existed the reluctance of any group to accept the challenge and
responsibility.
To
rectify this omission of duty, the delegates to the 1968
International Polka Convention voted and approved the establishment
of the Polka Music Hall of Fame. The institution of the Hall of Fame
serves to honor outstanding polka personalities who have made
significant contributions to the advancement and promotion of polka
music. After many months of research and development, the much
talked about and long overdue Polka Music Hall of Fame became a
living reality. The following year Frankie Yankovic and Li'l Wally
Jagiello became the first Hall of Famers elected. They were honored
in Chicago at a banquet and special installation ceremony.
The Polka Music Hall of Fame is administered by an eleven member
Board of Trustees.
Since originally being established it has undergone several
changes. Recipients of this coveted honor are determined by the
votes of an academy of over 165 qualified electors. Each year they
elect two prominent living polka personalities and one deceased
polka personality, who have made outstanding contributions to the
advancement and promotion of polka music. Another personality is
elected in the pioneer category. Candidates must have been actively
engaged in the polka field for a minimum of twenty years. They are
selected from all sections of the United States and Canada
regardless of ethnic origin, locality or style preference of polka
music. The nationally known Institute of Industrial Relations of
Loyola University of Chicago has been retained yearly to conduct the
election and certify the winners. In conjunction with the Polka
Music Hall of Fame, the IPA also presents the annual Polka Music
Awards for the favorite performers of the year.
In
compliance with the commitment to establish the Polka Music Hall of
Fame, the International Polka Association has provided continuous
financial support for the improvement and expansion of the Polka
Music Hall of Fame and Museum -- a dream that became a reality. A
suitable and functional building to serve as the depository for the
Polka Music Hall of Fame, Museum and administrative office of the
Association was purchased.
Later, due to changing circumstances, the building housing the
Hall of Fame and Museum was sold and the associated memorabilia is
now housed at 4608 S. Archer Avenue, Chicago, in property owned by
Polonia Banquets, where monthly meetings are also held.
In addition to its function of honoring deserving personalities,
the Polka Music Hall of Fame and Museum also serves as a historical
and educational medium for polka music. The Hall of Fame and Museum
provide a means for people to learn about the origins and
development of polka music in all its styles and forms. It also
provides an historical record of events and occurrences in the polka
field. The institution also contains an unparalleled collection of
artifacts, sheet music, recordings and memorabilia associated with
polka music that not only provides an educational resource for the
general public, but is also a research tool for scholars, the media
and historians.